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#165 Barney I Shall be a Gardener

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Attila never grew flowers, never planted trees. But with the poems that he wrote, he dug a garden of the mind, as deep as the suffering which made the words grow.

Barney

In 1925, Attila József, one of Hungary’s best loved poets, wrote a poem called Kertész leszek – I Shall Be A Gardener.

But Attila was no gardener. Born into the 9th District of Budapest, a tough, industrial corner of the city, Attila was a street kid, barely schooled.

He got some schooling in the end. Even went to university, dreamed of being a teacher – but was sent down, for writing a poem deemed ’seditious’ by the state.

He suffered from depression, schizophrenia. In December 1937 he died under the wheels of a train at Balatonszárszó station. Accident – suicide? He was 32 years old.

Attila never grew flowers, never planted trees. But with the poems that he wrote, he dug a garden of the mind, as deep as the suffering which made the words grow.

I shall be a gardener, I’ll grow trees 
early in the morning, I’ll rise too 
and nothing else will bother my head 
except those flowers in the flowerbed.

All the flowers that I have grafted 
shall be my sweethearts – every one, 
and if weeds grow, I won’t mind, 
faithful and true, each flower of mine.

I’ll drink my milk and smoke my pipe, 
and closely guard my own good name, 
no danger can reach me, I can’t be found,
I’ve planted myself into the ground.

This is needed, so much needed, 
in the East and in the West –
and if the world cannot be saved, 
may there be flowers laid on its grave.

Precis

The beauty of being in a company of older performers is the kaleidoscopic range of real-life experiences that they bring to the table. These experiences cover everything from the vivid and strange world of childhood, to the unexpected late awakenings of old age. Take our newest batch of anecdotes, for example. These new stories are delightfully diverse: from the earthly, sensual joy of baking bread, to the cosmic dreams of outer space; from an unnerving encounter with a poltergeist, to the risqué glories of adult pleasure products and burlesque. Running as a rich theme throughout, is the possibility of love, and the simple wonder of human connection. As one writer tells us, in her story of funeral rites and flirting, “Amidst death, life goes on”, and indeed it does, delightfully so.

Edited by Barney Bardsley