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#153 Margaret Bending Gaze at the Night Sky

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I could see the planet and its beautiful rings. It was a heart-stopping moment.

Margaret Bending

Throughout the 1960s, as I followed every step of the race between the USA and USSR to land a man on the moon, I would often lie on my back in the garden at night and gaze at the night sky. Other than the moon, all I could see were a myriad of bright dots, which books from my beloved local library helped me identify. Names such as Betelgeuse, Arcturus and Andromeda fired my imagination, and I wondered at the countless planets that must be out there, in the infinity of space.

My first job, when I was in the sixth form, was helping out in the chemistry lab after school, cleaning test tubes and beakers and helping prepare for the next day’s classes. I saved the money I was paid until I had enough for my first independent purchase: a small refractor telescope with a tripod and a couple of lenses. I wouldn’t be able to find planets around other stars, but maybe it would be enough to see those in our solar system.

That night I felt like Galileo. I could see Jupiter as a definite disc, and more than that, I could just make out its four largest moons, Io, Europa, Ganymede and Callisto.

But even that didn’t prepare me for my first view of Saturn. The angle was just right and, although still very small, I could see the planet and its beautiful rings. It was a heart-stopping moment. I have a more powerful telescope now, but there is still no more breath-catching sight than the rings of Saturn.

Precis

The beauty of being in a company of older performers is the kaleidoscopic range of real-life experiences that they bring to the table. These experiences cover everything from the vivid and strange world of childhood, to the unexpected late awakenings of old age. Take our newest batch of anecdotes, for example. These new stories are delightfully diverse: from the earthly, sensual joy of baking bread, to the cosmic dreams of outer space; from an unnerving encounter with a poltergeist, to the risqué glories of adult pleasure products and burlesque. Running as a rich theme throughout, is the possibility of love, and the simple wonder of human connection. As one writer tells us, in her story of funeral rites and flirting, “Amidst death, life goes on”, and indeed it does, delightfully so.

Edited by Barney Bardsley